“I see dead people” is one of the most used catchphrases in cinema history. The line helped to usher Haley Joel Osment into the realm of stardom. There was a time when every director was itching to work with Osment and then, as suddenly as it hit, everything stopped. Despite doing a lot of voice over work, and a play on Broadway, Osment has been curiously absent from the big screen. I know there was the whole car crash incident that hindered things for a bit, but enough time has passed now. Osment is still at the prime age where quality roles should be abundant. The time is right for Hollywood to take another chance on Haley Joel Osment.
Career Highlights: The Sixth Sense (1999); Artificial Intelligence: AI (2001); Forrest Gump (1994); Secondhand Lions (2003);
Low Points: Pay It Forward (2000); The Country Bears (2002); Bogus (1996);
Last Seen On The Big Screen: Home for Giants (2007)
Where You Will See Him Next?: In the comedies Montana Amazon and Sex Ed. As well as the drama Truth & Treason co-starring Max von Sydow.
Last month I did a top 5 post on the best and worst Martin Scorsese films. Needless to say the post received a lot of passionate feedback. Andrew at Encore’s World of Film and TV even labelled me a heretic, a badge I wear proudly mind you, for even suggesting that Scorsese has ever made a bad film. Having stirred the pot once already, the sensible thing would be ease off Scorsese for a while; luckily common sense was never one of my strong points.
The year is 1954, U.S. Marshall Teddy Daniels (Leonardo DiCaprio) and Chuck Aule (Mark Ruffalo) are sent to the notorious Shutter Island institution to investigate the disappearance of a patient. Stranded on the island, due to a terrible storm, Teddy begins to get headaches as he drifts in and out of hallucinations. As Teddy struggles with his sanity, he begins to question what type of experiments Dr. Cawley (Ben Kingsley) and Dr. Naehring (Max von Sydow) are conducting on the Shutter Island.
Let me just get this out of the way first, the last act of this film is ridiculous. Actually, it is more the aspects of the “reveal” rather than the cause it. I do not want to give away any spoilers so I will try to keep my annoyances brief. I will merely say that I found it highly unlikely that a facility like Shutter Island, which is home to some of the most dangerous and damaged patients, would allow such a free roaming environment. This is especially preposterous when you factor in the violent nature of certain patients.
The “reveal” aside, I must say that I was pleasantly surprised by the majority of Shutter Island. Martin Scorsese did a great job of maintaining the atmosphere, the best part of the film, and the overall suspense for the first 2/3 of the picture. The eeriness of the art direction kept me hooked the entire way through. The film could have used a little tighter editing, as it does run a bit long, but this is a minor quibble. Especially when you look at how wonderful the performances are during the course of the film.
The standout performances for me are those of Leonardo DiCaprio and Michelle Williams. There scenes together were fantastic, only Dicaprio’s scene during the war came close to rivalling their husband and wife moments. I also thought the large supporting cast, which included Emily Mortimer, Patricia Clarkson, Jackie Earle Haley, and Elias Koteas, did a terrific job of maintaining the level of tension. Normally I find it a bit distracting when I film such as this has so many high profile cameos. Yet none of the cameos felt out of place. Again, if it was not for the silly explanation that Martin Scorsese offers up in the last act, Shutter Island could have been a great movie. Still, the film is worth seeing for the first two acts alone.
