Marion Cotillard and Tom Hardy film scenes on the set of his film The Dark Knight Rises Sunday July 31 in Pittsburgh, Pennsylvania. The 35-year-old French actress plays the role of Miranda Tate, "a Wayne Enterprises board member eager to help someone who is still grieving Bruce Wayne Christian Bale to resume his father's philanthropic efforts in Gotham."
Even if we are going to stay away from posting a photo that leaks from the set, and we will not add anything that is considered a "major" spoiler, I think, most of you to see what Runway look. And for those trying to keep spoiler free, that's why I did not send them before you plunge. I really can not wait to see this film next summer. The fact is, I want more of The Dark Knight Rises was filmed in the studios, because I would love to go into the theater next summer, look as small as possible. But with interest in this movie at a fever pitch, you can expect a lot more pictures and video to leak from the set in the coming weeks.
The Dark Knight Rises is the long awaited final release of Warner Bros. Entertainment and DC new Batman movie franchise. Christopher Nolan returns to direct the film from a screenplay he wrote with Jonathan Nolan, from a story by itself and David S. Goyer.
Back to the blogging grind, thanks to all for the well wishes. It was a great trip, good food, good people, etc.
Inception
In 2005 Christopher Nolan attempted to change the way most people viewed both summer blockbusters and comic books with his film Batman Begins. Nolan used that film to remind us that not all summer blockbusters had to be mindless affairs. It is possible to have a summer movie that offered both brains and explosions. Since then Christopher Nolan has continued his trend of making summer blockbusters for all those who prefer substance with their sugary treats. The Prestige and The Dark Knight both offered up much to think about while entertaining immensely. Now with his latest film, Inception, Christopher Nolan has raised the stakes in regards to how much thought, and attention, a viewer is required to put into a summer flick.
Dom Cobb (Leonardo DiCaprio) is an expert at extracting information from people’s subconscious while they dream. Unfortunately Cobb is also a wanted man in the United States, so he is forced to take his extracting job on the road. After Cobb’s ex-wife Mal (Marion Cotillard) sabotages his latest mission, Cobb and his right hand man Arthur (Joseph Gordon-Levitt) are offered one final job by Saito (Ken Wantanabe), a powerful business man who has the ability to make Cobb’s problems in the United States disappear. The only catch is, instead of stealing information, Cobb and Arthur must place information in to the mind of Saito’s corporate rival Robert Fisher Jr. (Cillian Murphy). Cobb knows the art of inception is much more complex than removing secrets from a person’s mind, so he sets out to gather a team of experts to pull off this heist. In order for Cobb’s plan to work he will need the assistance of Ariadne (Ellen Page) the dream architect; Eames (Tom Hardy) the expert forger; and Yusuf (Dileep Rao) the chemist who can create a drug so potent that will keep them all in the dream state for 10 hours. If the team succeeds, it could be the perfect crime. Unfortunately none of them anticipate the deadly enemies that await them on the other side.
If Dark City and The Matrix were to ever have a love child, Inception would be that child. Inception offers up a fresh spin on the heist genre. Many elements standard to heist flicks are present: the ”one last job” motivation; each member of the team having a unique skill, etc. The major difference being that it is not about what is being stolen, but rather what is put in. Inception is an extremely smart film in which the audience does not need a PHD to decipher. Christopher Nolan spends the first half hour of the film establishing everything that we, the viewer, need to know about dreams and the subconscious. I loved how the film considers “the idea” to be the worst type of virus to inflict mankind. So, for example, if someone plants the notion in your head that you look fat in those jeans, that simple thought starts to eat away at you until you eventually discard those jeans. Even if you are unable to grasp all of the philosophical concepts talked about in the film, Nolan designs the narrative in a way that makes Inception accessible to all types of viewers.
The thing I really enjoyed about Inception is that the narrative plays by all the rules it sets up. Unlike other high concept films, such as Wanted, the film never states one thing and then proceeds to do another. Everything in Inception is plausible in relation to the world that this particular film establishes. The timelines in the three levels, four if you include limbo, of the dream world are clearly stated. Even though the van may be shown falling in slow motion we know that in reality it only takes ten seconds to hit the water in that level, which is twenty minutes in the next and so on.
Despite all of the jargon tossed around regarding dreams and the subconscious, Christopher Nolan never loses sight of the fact that Inception is an action-packed heist film. He ensures that every level of the dream world is filled with tense action sequences. The standout being the Arthur’s gravity defying fight with some henchmen in level two of the dream world. I really liked that Nolan opted to give the centerpiece action scene to Arthur instead of Cobb. Out of all the characters Arthur is the most straight laced. He clearly knows how to handle himself with a weapon but he is not as flashy as Eames. Yet when the balance of the mission is on the line, Arthur will do whatever it takes to keep himself and his team safe.
In many ways Arthur is the perfect contrast to Cobb. Arthur knows what the proper limits are for their particular line of work. Cobb, on the other hand, has gone so far past the limit that he continually puts his team in jeopardy for his own selfish needs. If 2010 has taught me anything it is that being married to Leonardo DiCaprio may not be as sweet as most women assume it would be. In both Inception and Shutter Island, DiCaprio’s characters are mentally damaged by events from a previous marriage. The character of Mal in Inceptions could have easily been played by Michelle Williams as they are almost identical in their construction. It is Cobb’s relationship with Mal that is at the core of everything in Inception, without it the film does not work at all. There will be those viewers that complain about the lack of character development for some of the supporting characters. Yet I honestly cannot see how the film could elaborate on them anymore without ruining the central Cobb arc.
For a summer that has been particularly dull in terms of the amount of movies that truly excite, Inception is truly a breath of fresh air. It is not only one for the best films of the summer but, in my opinion, it also one of the best films to come out this year.
The story of Robin Hood has always been appealing on tale. The idea of someone taking from the wealthy and giving to the poor does have a nice ring to it, especially in this current economy. Yet is it way he swoops in and steals the money? Or is Robin Hood himself that makes the tale interesting? These questions crossed my mind while watching Michael Mann's Public Enemies.
Set during the fourth year of the Great Depression, crime is on the rise and notorious bank robber John Dillinger (Johnny Depp) is making a mockery of the law. Fed up with Dillinger's antics, the Director of the FBI, J. Edgar Hoover (Billy Crudup), assigns agent Melvin Purvis (Christian Bale) to lead a task force to bring John Dillinger to justice once and for all. Purvis soon realizes that capturing Dillinger will be much harder than both he and Hoover had ever expected it to be. Dillinger shows no signs of slowing down nor does he have any weaknesses. Of course this may all change after he meets the Billie Frechette (Marion Cotillard).
Though he kept everything he stole Dillinger was still viewed as the Robin Hood of his time. Dillinger became a symbol for those suffering through the Great Depression . Yet the Depression merely serves as a backdrop for the film as Mann is more interested in the various ways Dillinger robbed banks and broke of jail. While these moments were very entertaining to watch, by time the film ended, I could not help but wonder how much did I actually learn about any of the parties involved? Clearly John Dillinger was a charismatic criminal who had the intelligence needed to get away with what he did. Yet after the jail break scene, and the scene were the cops pass him in the car, you have to question whether Dillinger truly was a genius? Or were the cops just really dumb?
Since Mann opts not to delve too deep into his characters we only get glimpses of what makes the characters tick. This is most evident when you look at Bale's Melvin Purvis, who really gets short changed in this picture. Purvis is clearly way over his head when he is promoted but we rarely see how the pursuit affects him emotionally. This ultimately diminishes the impact of what happens to him at the end of the film. Also, Mann does not provide Bale room to truly showcase his range. Purvis is a rather one-note character throughout the entire film. Despite Purvis' many errors and his inner turmoil, Mann portrays him mainly as the hard stoic agent. Bale would have been much more interesting in the film had he been able to show more of the cracks within Purvis' wall.
Aside the limitations set on Bale , the majority of the cast does a decent job of breathing life into their characters. Depp and Cotillard are the standouts in the picture as there scenes together offer a nice break from the standard cops and robber stuff. Despite the lack of depth, Mann does create a film that is, if nothing else, fairly entertaining. All the trademark Mann element's are there: the handheld video shots, the elaborate shootout sequences etc. Although Public Enemies is not as spectacular as I hoped it would be, it was entertaining enough for a mild recommendation.
Even if we are going to stay away from posting a photo that leaks from the set, and we will not add anything that is considered a "major" spoiler, I think, most of you to see what Runway look. And for those trying to keep spoiler free, that's why I did not send them before you plunge. I really can not wait to see this film next summer. The fact is, I want more of The Dark Knight Rises was filmed in the studios, because I would love to go into the theater next summer, look as small as possible. But with interest in this movie at a fever pitch, you can expect a lot more pictures and video to leak from the set in the coming weeks.
