Showing posts with label Laura Linney. Show all posts
Showing posts with label Laura Linney. Show all posts

Thursday, August 11, 2011

Which is Better?



Laura Linney
10 sample films:

The Truman Show
You Can Count on Me
Kinsey
Breach
Primal Fear
The Savages
The Mothman Prophecies
The Squid and the Whale
Congo
Mystic River

or


Frances McDormand
10 sample films:

Fargo
Almost Famous
Mississippi Burning
Wonder Boys
North Country
Lone Star
Blood Simple
Aeon Flux
Friends with Money
Laurel Canyon

Which do you prefer? Let me know in the comments section

Tuesday, January 25, 2011

Will Boston Be Hollywood’s Next New York?


Thanks to the recent success of films like The Town, The Social Network and The Fighter it seems that Boston has become the city of choice for Hollywood these days. Although some are claiming that Boston has become the new New York of cinema, I do not think Boston has reached that level yet. If anything Boston seems to be turning into the east equivalent of the “dirty south”.

While corruption and crime have been prevalent in cinematic takes on Boston for years, there is a new wave of “Irish trailer trash” that has become a prominent fixture in many of the recent films. These are the characters that love their alcohol, frequently use drugs and take pride in their lack of education. In the past, these traits would stereotypically be associated with cinematic characters from the southern states. What was once considered a sign of southern backwardness has now become a badge of honour for Boston.


The fascinating thing about the recent emergence of Boston in modern day cinema is the portrayal of Boston women. Boston is becoming Hollywood’s hot bed for skanky and/or corrupt women. Whether it is the deadbeat mom Helen McCready (Amy Ryan) in Gone Baby Gone; the cokehead girlfriend Krista Coughlin (Blake Lively) in The Town; the over-barring mother of nine Alice Ward in The Fighter’s Alice Ward (Melissa Leo); or the Lady MacBeth-like Annabeth Marcus (Laura Linney) in Mystic River, the women of Boston are nothing like the ones you would find in movies set in New York or Los Angeles.

Speaking of New York and Los Angeles, one of the main reasons Boston has not reached their level in cinematic dominance yet is due to lack of romanticism. This is crucial when you look at how these cities are portrayed in films. Sure there are the grimy streets of New York featured in Martin Scorsese’s Mean Streets and Taxi Driver; not to mention the urban decay of the Los Angeles’ hoods featured in Boyz N The Hood and Colors. Yet, there are countless other films that romanticize both of these cities. Can anyone picture New York without thinking of Woody Allen’s Manhattan or Annie Hall? Can you think of LA without the glitz and glamour featured in everything from Sunset Boulevard to Mulholland Dr.?


Besides the corruption, and the obsession with sports, there is nothing in recent films that would make you drop everything and move to Boston. However, films like The Firm and The Departed have provided us glimpses of how the rich live in Boston. If we are to believe Spielberg’s War of the Worlds, the affluent ones in Boston can even survive an alien invasion without even a scratch on their car. Does this make Boston a must on your bucket list? While I am not asking for more Good Will Hunting type of films where the blue collar guy gets the girl, I would like to see other facets to Boston on screen besides the caricatures that Hollywood is portraying more and more frequently. I think if Boston is to be relevant in film as places like New York or L.A. we need to see the diversity that the city has to offer.

Friday, September 3, 2010

Countdown to TIFF: 2005 in Review

TIFF 2005



Since the 2004 festival was filled with personal sadness, I made sure that 2005 would be all about having fun. I saw great films that featured topics such as a man trying to escape his past, a woman seeking revenge, an Irish drag queen and a lobbyist who thanked people of smoking. In regards to that last one, it was a treat discovering a then unknown director by the name of Jason Reitman. Not only was his first feature, Thank You For Smoking, a homecoming of sorts for the Canadian director; but it also the start of a rather exceptional career for the young director. Reitman’s next two films, Juno and Up in the Air, both premiered at TIFF and went on to earn Academy Award nominations.


Total Number of Films Watched: 28

My Top 5:

A History of Violence
Sympathy for Lady Vengeance
The Squid and the Whale
Thank You for Smoking
Breakfast on Pluto

Honourable Mention: Capote, Dear Wendy, District 13, Lie With Me, The Matador, Runaway.

The Disappointments: Manderlay, Neverwas, Harsh Times, River Queen, Thumbsucker, The Duelist, Winter Passing.


The Whale Riders (aka. I regret passing on these films): Caché, Brokeback Mountain, Polanski’s Oliver Twist, Tsotsi, Tristram Shandy: A Cock and Bull Story, C.R.A.Z.Y, Wallace & Gromit: The Curse of the Were-Rabbit, The Proposition, Dave Chappelle’s Block Party

Memorable Moment: Standing in the Rush Line (i.e. the last minute tickets line) for the film Beowulf and Grendel which feature Gerard Butler and Sarah Polley. While waiting in the pouring rain I had to endure the ranting and ravings of eight women who were all part of the official Gerard Butler fan club. Many of the women had driven well over six hours just to get a chance to see Mr. Butler. One woman even had a homemade oriental fan with Butler’s face on both sides. The funny thing about this was that it was the year before 300 was released and he became an international star. Up to that point, his biggest films included the Tomb Raider sequel and Dear Frankie.

Random Star Sightings: Philip Seymour Hoffman, Nick Nolte, Aaron Eckhart, Gerard Butler, Catherine Keener, Keanu Reeves, Twilda Swinton, Cillian Murphy, Sarah Polley, Maria Bello, Laura Linney,Jeff Daniels, Eva Longoria, Noah Baumbach, Aaron Stanford, Robin Tunney, Alan Cumming, Atom Egoyan, Clement Virgo, Clifton Collins Jr., Thomas Vinterberg,

Friday, October 2, 2009

The Man Is Always Greener on the Other Side

This was originally posted in my 2008 Toronto Film Festival Recap. The review has been fixed up and re-posted as the film has finally be released in theatres.


The Other Man


Richard Eyre follows up his brilliant film Notes on a Scandal, with this story about love, friendship and adultery. After losing his wife Lisa (Laura Linney) to cancer, Peter (Liam Neelson) discovers that she was having an affair with a man named Ralph (Antonio Banderas). Filled with anger Peter flies to Italy in hopes of tracking down, and killing, this mysterious Ralph. Once in Italy, Peter begins to play game of chess, both a literal and figuratively, with Ralph. While not revealing who he really is, Peter slowly tricks Ralph into opening up about the nature of his steamy relationship with Lisa.

While the premise is interesting, The Other Man does not have enough gas in it to sustain the whole film. The film ends up being merely average at best. While Neelson, Linney, and Banderas are all very talented and capable actors; they can only do so much with the material they are given. One thing I found interesting about this film was how each character viewed the affair. Peter, the cuckold, immediately wants to seek revenge. Ralph sees his time with Lisa as the greatest love story he has ever encountered. Whereas Lisa merely views it as nothing more than I choice she has the right to make. This view is also echoed in another film released already released this year Cloud 9, as well as the upcoming film Partir (which I saw at the ’09 TIFF). One of the many issues I had with The Other Man is that it strives too hard to reach an ending that can only be described as neat. It seems like the last half of the film is merely one big set up for a rather substandard finale.




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