"We must travel in in the direction of our fear"
This quote spoke to me tonite.....
They (and babies... and family portraits) are treated with the same technology and the same critical eye as the models in our magazines. It's not just my photographer's magazine doing this, but almost every wedding photographer and portrait photographer in business. Some photographers limit the degree of their touch-ups. They offer different pricing scales ranging from simple touch ups to pure perfection.
Suddenly I realized, maybe that red mark isn't a blemish but a feature of his skin. Will this mommy look at his pictures in two years and think, "Gee he didn't have that mark when he was born. Where did that come from?"
As I watched one program, memorializing her life and career, publicity photos from the height of her career flashed on the screen. A big beautiful smile - drawing lines around her eyes. A sun-kissed face dotted with those sunny freckles, and ~gasp~ visible pores and shiny skin indicating this was a real live, breathing human being! A natural beauty. I thought...
James Reece (Jonathan Rhys Meyers) is the personal aide to U.S. Ambassador in France. Despite being good at his job, Reece dreams of becoming a secret agent. One day James finally gets the break he is hoping for when his boss orders him to drive an American agent, Charlie Wax (John Travolta), around the city. If Reece can successfully pull this task off, not to mention survive Wax’s shoot first ask questions later style, he will become a true agent. Unfortunately for Reece, Wax’s unorthodox methods may cause him to rethink the whole secret agent entirely. As the two men travel around Paris dismantling a drug ring, they stumble upon a terrorist plot that may just cost James Reece everything he holds dear. That is, of course, if Charlie Wax does not kill him first.
For many directors, and audience members, there is a fine line between showing your appreciation for other’s works and overindulging in it. This is why so many people have issue with Quentin Tarantino’s films. Depending on the viewer, the originality in Tarantino’s productions can be loss amongst all his numerous winks and nods to specific genres. Pedro Almodóvar is another director, similar to Tarantino, who constantly injects his film with various references to films he love. The majority of which can be found in classic films from Hollywood’s Golden Age. Yet unlike Tarantino, Almodóvar has been more subtle about his approach, and many would say, more successful as well. Still, even a master like Pedro can fall into the realm of overindulgence as is the case with his film Broken Embraces.
Wow, the days seem to be flying by...hope my blogging friends are all having a great week!

I recently read an article on people who stand in line for hours to purchase the new Apple Ipad…only so that they can destroy it. They claim to be making a statement but, by paying for the product, are those customers really rebelling against the system? The idea of fighting against consumerism is at the heart of Derrick Borte’s The Joneses.
we watched "Inglorious Bastards". I am not sure I would recommend it but hubby liked it. I am not usually liking Quentin Tarantino films, I guess. For example, I never liked Pulp Fiction or any of the Kill Bill movies. Oh, well. Saturday night I walked to mass, and that always makes for a good feeling for me. We ordered Chinese and watched "Did you Hear about the Morgans?" It was cute, I laughed a lot...so thumbs up!! (Of course, Hugh Grant is one of my favs...no worries, though, Ashton, I still love you mostest!)
le message. At first I blamed my Blackberry Pearl as being hard to text from. I now can't text from my Droid. I am texting impaired. Honest. Truly. It takes me a couple texts and then a couple more to clarify what I tried to text. Plus, the spell check chooses words I don't even want to use. I really am a klutz at texting. I need to attach a giant keyboard to my phone!!! 
