Showing posts with label blogathon. Show all posts
Showing posts with label blogathon. Show all posts

Saturday, June 25, 2011

The King of Pain Marathon: 6 hours of Sweet Beautiful RVs

Over the past week my pal, and multiple Lammy award winning blogger, The Mad Hatter has been conducting a The King of Pain blog-a-thon on his site The Dark of the Matinee. The blog-a-thon consist of Hatter diving into his wife’s side of the DVD shelf and subjecting himself to the films in her collection which he deemed painful. Needless to say the merging of their DVD collections will not be occurring anytime soon.

Being the masochist that Hatter is, he has invited his fellow movie bloggers to participate in the The King of Pain blog-a-thon by either delving into their significant others collection or watching some of the same films he had to watch. After asking my wife to pick out three films for me to watch, I was pleasantly surprised to see that her DVD collection actually held several gems. Despite the numerous copies of Dirty Dancing, films such as The Princess Bride, Big Trouble in Little China, Working Girl, Romancing the Stone, and True Lies all graced her collection. Things were looking outstanding until we hit the “donated by others” section of her collection. These are the films that were passed onto her by friends who were not big movie watchers. This is where the “pain” in The King of Pain began…



The Sweetest Thing

The first film on deck was the comedy The Sweetest Thing, a film that I had seen before, which only made it more painful sitting through it a second time around. The film is essentially a poor attempt at a female Farrelly Brothers film. The story focuses on three roommates, Christina (Cameron Diaz), Courtney (Christina Applegate) and Jane (Selma Blair), as they navigate through the complicated waters of the dating scene. Christina in particular has left a trail of broken hearts as she just wants to have fun. Of course this all changes when she meets Peter (Thomas Jane), a man who immediately sees through her façade and calls her out on her fear of commitment.
Comedic hijinks ensue as Christina decides to track Peter down by crashing his brother’s wedding.

Sex and the City, the television show not the movie, proved that women talking frankly about sex can be amusing. Unfortunately, The Sweetest Thing is so concerned with being a gross out style comedy that it forgets to make the three main women actual people. For women who seemingly have everything together except for their love life, the women come off as dimwits instead of sophisticated professional women. The film is filled with jokes about oral sex, jokes about women openly feeling each other’s breast, more oral sex jokes, a clothes changing montage, oh and more oral sex jokes. None of which are funny. The only highlights of the film are Christina Applegate and Jason Bateman, both try their best to overcome the bad script and provide genuinely funny moments but even they can only do so much.



RV

Remember when Barry Sonnenfeld use to make movies that were actually good? Films such as Get Shorty and the first two Addams Family films, yep I miss those days too. RV plays like a 60’s Disney family comedy made 40 years too late. Frustrated that his family no longer interacts the way they use to, Bob (Robin Williams) decides to rent an oversize RV and take his wife (Cheryl Hines), moody daughter Cassie (Joanna Levesque) and weight lifting obsessed son Carl (Josh Hutcherson) on the great American road trip. Besides trying to get his family to bond, Bob also must find time to get important work done for his demanding boss (Will Arnett).

I honestly do not know where to start with this film? RV was, if nothing else, a test of endurance. Despite its scant 99 minute running time, the film felt like it was well over two hours. The film relies heavily on physical comedy and juvenile potty humor. While watching excrement shoot up in the air and cover Robin Williams, may ignite laughter from a five year-old, it does nothing for the rest of us. Which brings me to the main problem with RV, you can predict every single gag well before it happens. The film never deviates from the standard plot formula that has been used in numerous other films of this kind. Robin Williams, Jeff Daniels, and Kristin Chenoweth all deserved to be in better films than this. I understand a paycheck is a paycheck, but they are all too talented slum it in this production.



Beautiful

By far the most painful and infuriating pick of the bunch, actress Sally Field makes her feature film directorial debut with this insipid film about appreciating what is really important in life. Since she was a little girl Mona (Minnie Driver) has been obsessed with beauty pageants. With the help of her seamstress best friend Ruby (Joey Lauren Adams), Mona starts to make strides in the competitions she enters. Just as her pageant career takes off Mona discovers that she is pregnant. To ensure that Mona’s dreams of becoming Miss America stay on track, Ruby secretly agrees to raise Mona’s daughter Vanessa (Hallie Kate Eisenberg) as her own. Yet when circumstance forces Mona to take care of Vanessa, Mona must not only find a way to keep her hidden from pageant officials, but she also has to figure out how to deal with Vanessa’s constant inquires about why she looks she looks so much like Mona and not Ruby.

What is so insulting about Beautiful is the fact that Mona is a shallow and selfish character for 95% of the film but then is inexplicably praised like a hero by the end. People mistake her act of finally coming to terms with the responsibilities she has been ignoring for seven or so years, as a statement about a woman’s right to be both a mother and a beauty queen. Despite the fact that the story has a “villain”, I would argue that Mona is the true villain of the film. She is neither a likable nor interesting character, and it is hard to feel happy when everything wraps up so conveniently at the end. Frankly, as a male, I found the film insulting so I can only imagine what some women thought of the film. I cannot even look at the DVD cover without getting enraged at the massive pain this film was to sit through.

Wednesday, April 27, 2011

A Life in Movies


Over at the Fandango Grooves Movie Blog, Andy is hosting A Life in Movies Blogathon on May 8th in which he is asking bloggers to list their favourite movies from each year starting with the year they were born. Without further ado here is my "Life in Movies":

1978: Halloween – A horror classic, that still holds up.

1979: Alien - I am sure Apocalypse Now is the choice of many, but Alien is the film I watch more often.

1980: Star Wars V: The Empire Strikes Back – No contest here.

1981: Raiders of the Lost ArkMad Max 2 would be the runner-up here.

1982: Blade Runner – Still my favourite Ridley Scott film.

1983: A Christmas Story – Yes, I chose this over Scarface and King of Comedy! Remember the list is about my personal favourites, not best film overall.


1984: Gremlins – 1984 was easily one of the best years of cinema. Ghostbusters, The Terminator, Romancing the Stone, A Nightmare on Elm Street, Police Academy, The Karate Kid, Indiana Jones and the Temple of Doom, and Beverly Hills Cop were all released in this year.

1985: The Goonies – This was a tough call. Back to the Future could easily take this spot.

1986: Hannah and her Sisters – One of my favourite Woody Allen films.

1987: Predator – “Get to the Choppa!”

1988: Die HardComing to America, Who Framed Roger Rabbit, I’m Gonna Git You Sucka and Akira are all up there for me though.

1989: Batman – I have fond memories of seeing this film in the theatre.


1990: Goodfellas – “You mean, let me understand this cause, ya know maybe it's me, I'm a little fucked up maybe, but I'm funny how, I mean funny like I'm a clown, I amuse you?”

1991: Terminator 2: Judgment Day – Still better than any of the big budget 3D films being released today.

1992: Hard Boiled – One of John Woo’s best.

1993: Jurassic Park – Love this film.

1994: Pulp FictionShallow Grave would be a runner-up here.

1995: The Usual Suspects – Brilliant script, great performances, this film had it all.

1996: Trainspotting – Begbie still gets under my skin every time I watch the film.


1997: Chasing Amy – I never get tired of watching this film.

1998: Zero Effect – Sure there were bigger, and better, films that came out in this year but Zero Effect was the biggest surprise for me in 1998.

1999: Magnolia – 1999 was the best year for cinema of the entire 90’s. Fight Club, Three Kings, Being John Malkovich, Toy Story 2, The Sixth Sense, American Beauty, Boys Don't Cry, and The Matrix all came out in this year.

2000: Almost FamousCrouching Tiger, Hidden Dragon, Dancer in the Dark, Requiem for a Dream and Wonder Boys all could have been slotted in this spot as well.

2001: In the Bedroom – Saw this film during my first time at TIFF experience.

2002: Better Luck TomorrowDirty Pretty Things gets an honourable mention.

2003: Oldboy – It was a toss-up between this film and Dogville, this film won by a hair.


2004: Eternal Sunshine of the Spotless MindThe Sea Inside just missed the cut.

2005: Brokeback Mountain – The fact that this film lost to Crash at the Oscars is unforgivable.

2006: Casino Royale – In my top 5 for favourite Bond films.

2007: There Will Be BloodNo Country for Old Men is a close second.

2008: The Dark Knight – “Why So Serious?”

2009: Hunger – Some may argue that this is a 2008 film, but it did not get released in Canada until 2009.

2010: Winter’s Bone – Great film that more people need to see.

2011 (so far): Beauty Day - A film that will be shown at Hot Docs this year. Rubber would be a close second.

Friday, May 28, 2010

It Must Be True If Everyone Is Saying It.

Everyone Says I Love You

While my wife is a big fan of theatre musicals, I have always been more drawn to musicals on the big screen. Sure I have seen a few theatrical productions that I have really enjoyed (e.g. Avenue Q, Evil Dead: The Musical, Jersey Boys, Miss Saigon), but none of them seem to have a lasting impression on me the way films do. When Andrew invited me to take part in his blog-a-thon on musicals, the first film that immediately popped into my mind was Moulin Rouge. Mainly because that was the last musical to truly dazzle me. Sure I enjoyed films like Chicago, Dreamgirls, Hairspray, etc. but none of them really spoke to me the way Baz Luhrmann’s genre bending film did. Still, if am pressed to pick my all-time favourite musical, Moulin Rouge would come second behind Woody Allen’s Everyone Says I Love You.

Compared to many modern day musical, Everyone Says I Love may seem like a bland choice by some. It often gets overshadowed by some of the flashier, and star studded, productions of late. Yet is the simplicity, and overall joy it induces, which makes Allen’s film standout. In preparation for this musical related post I watched the film Nine, the musical not the animated movie, for the very first time last week. I had been meaning to see it for some time now but never got around to it. I figured the blog-a-thon was a good reason as any to finally watch the much hyped film. Despite the movie’s stellar casting, I was amazed by how much I detested Nine.

The problem I had with Nine is that the film is so concerned with given each star their moment in the sun, that the story takes a backseat to the musical numbers. In Everyone Says I Love You, the story is always at the forefront and the musical moments merely compliment the tale, not the other way around. Even when juggling a large cast, which include the likes of Edward Norten, Drew Barrymore, Julia Roberts, Tim Roth, Natalie Portman, Goldie Hawn, Billy Crudup, Lukas Haas, Natasha Lyonne, and Alan Alda, Woody Allen always ensures that you get a true understanding of how everyone is important to the overall story. At no point does the flow of the picture come to a grinding halt just so Julia or Goldie can have their moment.



Another thing I really like about this film is that Allen finds a nice compromise between the 1930’s musicals, which inspired the film, and his own self-deprecating style. Allen will have a lavish number like “My Baby Just Cares For Me” with full backup dancers and yet the lead singer, in this case Edward Norton, still sings and dances like the “average Joe” would in that situation. This is not to say Norton has a bad voice, but his tone is not as polished as you would expect from this type of musicals. Woody Allen also contains a lot of his musical numbers in the same locations the songs start in. There are no quick cuts, no costume/location changes, no characters singing on stages, etc. Allen tries to bring as much realism as possible to confines of the 1930’s musical genre.

Lastly, and most importantly, Everyone Says I Love You is that perfect romantic pick me up that we all need from time to time. The themes of looking for love, being in love, and being in relationships with the wrong people, are common in almost every single Woody Allen film. Yet there is a more optimistic, and whimsical, feel in this particular film than is more prominent than his other works. Everyone from the upper east side elite to the two-bit gangster is struck by cupid’s arrow. You swoon when Alan Alda serenades Goldie Hawn on her birthday, yet you also are hoping that Hawn and Allen rekindle that spark they once had when they were together at another point in the film. Some may complain that Everyone Says I Love You wraps up a little too neat, but frankly I would not have it any other way.