Jude Law in London Film Festival Cocktail Party Pics Jude Law meets up with director Paul Haggis Paul Sunday at the London Film Festival cocktail party in the 2011 Cannes Film Festival at JW Marriott in Cannes, France.The 38-year-old actress, who also met up with the artistic director of BFI Film Festivals Sandra Hebron.
Sherlock Holmes is a film that I may need to see again, yet the more I think about it the less I want to. I actually felt myself nodding off during one of particular action sequences. The loudest point in the film no less. While I think the holiday leftovers may have played a role in this, I am fairly certain the overall lack of originality was the bigger culprit. As much as I wanted to like Sherlock Holmes, I cannot deny that I was surprisingly underwhelmed with Guy Ritchie's latest work.
Arthur Conan Doyle's beloved character, Sherlock Holmes, has seen many different incarnations so it was only a matter of time before a blockbuster version rolled around. In this latest pumped up version, Sherlock Holmes (Robert Downey Jr.) and his trusty aide Dr. John Watson (Jude Law) foil the plans of a serial killer, Lord Blackwell (Mark Strong), before he can take the life of his latest victim. Lord Blackwell is sentenced to death but somehow rises from the grave three days after he is hanged. While many believe dark magic is responsible, Holmes tries to prove that there is a logical explanation for Blackwell's reappearance. Holmes must also confront his issues with Watson's pending marriage; and the re-emergence of the only woman to capture Sherlock's heart, the chronic deceiver Irene Adler (Rachel McAdams).
It took me a long time to pinpoint what irked me the most about this film. A line in which Holmes states "It's all about the small details" kept looping in my head repeatedly before I finally figured out the problem. By primarily focusing on the elaborate action sequences, Guy Ritchie actually makes Sherlock Holmes rather dumb. I am talking about both the movie and the man. The greatest asset Sherlock Homes has as a character is his mind. Like the films points out it is his ability to tell a lot from the tiniest of details that makes him so fascinating.
Once you place that key element of his character into the background, what do you really have left? A mindless action movie centred around a character known for his mind. We are forced to watch Holmes and Watson in a series of over-the-top action sequences that generate no real sense of thrill. At no point do we ever question if Holmes will make it out of a particular situation alive. This is most noticeable in the outlandish battle at the shipyard. The closest we get to real tension in the entire film is scene with the pigs and the electric saw, and even then we are only mildly concerned with Adler's life.
I am all for trying to make Sherlock Holmes more rugged but then at least provide him with a more challenging case to work with. At times the movie felt more like the next chapter in Dan Brown's Da Vinci Code/Angels and Demons series. When Ritchie is not blowing stuff up, or staging slow-motion fights, we have to sit through a thin plot regarding the use of black magic. To top it all off, Guy Ritchie's version of Sherlock Holmes is an eccentric who needs work to keep himself sane. So when Holmes is actually collecting valuable information, such as licking a rock, Ritchie plays it off as just another one of Holmes' odd quirks. All these "quirks" are then overshadowed by the action moments, and serve no real purpose until "big reveal" during the last five minutes.
The one thing I will say in Guy Ritchie's favour is that he got the casting right. Robert Downey Jr. is the main reason to see this film. I loved his take on Holmes and he really carries the majority of the film on his back. Downey Jr. and Law have such great chemistry together that you could easily believe that Holmes and Watson have been in partnership for years. They react to things, both spoken and not, the same way an old married couple would. Guy Ritchie regular Mark Strong is adequate as Blackwood but the character is not a memorable villain at all. There is nothing really sinister or lasting about Blackwood, chances are good you will be more interested in a certain professor lurking in the shadows. Strong's abilities were better showcased in RocknRolla and Revolver. The weakest link is Rachel McAdams but this is more due to how her character is written rather than McAdams' performance. Irene Adler is supposed to be a cunning woman that can pickpocket Holmes' heart as fast as she can most men's wallets. Yet she spends most of the time as the woman in distress, and only occasionally as the swindler. There is no moment in the film where you truly get the sense that Adler and Holmes are madly in love but their lifestyles keep them apart. Frankly one can argue that Holmes had more romantic sparks with Watson in the movie than he does with Adler.
It is fairly evident that this film is setting the stage for a Sherlock Holmes sequel, which might actually work if they provide Holmes with a cunning villain and a great mystery. I just hope it is not another mindless romp for the greatest mind on Baker Street.
More often than not when a great actor passes away their last works tend to be clunkers. The most famous example of this is Raul Julia who died just before Street Fighter was released. Marlon Brando had the misfortune to have his two final releases be the awful The Island of Dr. Moreau and the forgettable, The Score. Fortunately, through Terry Gilliam’s The Imaginarium of Doctor Parnassus, one recently deceased actor was lucky enough to avoid this trend.
After making a bet with the devil, Mr. Nick (Tom Waits), Dr. Parnassus (Christopher Plummer) wins the gift of immortality. Several years later Mr. Nick and Dr. Parnassus make another bet that would ultimately save the life of Parnassus’ one true love. Unfortunately for Dr. Parnassus this bet comes at a grave price as he must give up his first born child, Valentina (Lily Cole), to Mr. Nick upon her 16th birthday. Now on the eve of Valentina’s sweet sixteen, Dr. Parnassus and Mr. Nick decide to make one more bet that may either save Valentina or damn her forever. The bet is simple, Dr. Parnassus must convert five souls through his mystical "imaginarium" travelling show before Mr. Nick converts five souls. Dr. Parnassus knows that the devil always has a trick up his sleeve; which is why Parnassus is intrigued when his troupe of performers randomly comes across Tony (Health Ledger). Is Tony a gift from above? Or is Dr. Parnassus about to take his riskiest bet yet?
It has been well documented that The Imaginarium of Doctor Parnassus features Heath Ledger‘s final performance. It is also well known that Colin Farrell, Johnny Depp, and Jude Law were asked to fill in for Health in certain scenes. What may come as a shock is how seamlessly Gilliam injects the three actors into the story. Since most of the non-imaginarium scenes were shot prior to Health’s death, Farrell and crew are only needed for the fantasy sequences. Once you see the film, and understand the limitless possibilities of the imaginarium, the change in actors will make perfect sense.
Director Terry Gilliam does a good job at keeping the film grounded in reality despite all of its fantastical moments. This film is far better than his last two pictures, The Brothers Grimm and Tideland, though not as strong as some of his earlier works. It is apparent that Gilliam really took time to ensure that the acting matched the level of the visuals. The two performances that deserver the most praise are the ones given by Christopher Plummer and Tom Waits. Sure Health is charming as ever, but it is Plummer and Wait who really make this film a treat. Waits in particular does a great job as the devil, you can see how easily a man like Dr. Parnassus could be swayed by his deceitful charm.
The one major flaw with the film is the imaginarium scenes with Farrell in the third act. I found the whole sequence from the children’s benefit gala up to the stairs chase scenes just went on far too long. The film really needed tighter editing towards the end. Still, despite the somber event that ultimately surrounded the filming, The Imaginarium of Doctor Parnassus is an enjoyable ride that is a fitting final chapter to Health Ledger’s canon of work.
Sherlock Holmes is a film that I may need to see again, yet the more I think about it the less I want to. I actually felt myself nodding off during one of particular action sequences. The loudest point in the film no less. While I think the holiday leftovers may have played a role in this, I am fairly certain the overall lack of originality was the bigger culprit. As much as I wanted to like Sherlock Holmes, I cannot deny that I was surprisingly underwhelmed with Guy Ritchie's latest work. 
More often than not when a great actor passes away their last works tend to be clunkers. The most famous example of this is Raul Julia who died just before Street Fighter was released. Marlon Brando had the misfortune to have his two final releases be the awful The Island of Dr. Moreau and the forgettable, The Score. Fortunately, through Terry Gilliam’s The Imaginarium of Doctor Parnassus, one recently deceased actor was lucky enough to avoid this trend. 