Showing posts with label DVD's For You and Me. Show all posts
Showing posts with label DVD's For You and Me. Show all posts

Thursday, December 3, 2009

3D Valentine Card Still Bloody Boring

My Bloody Valentine 3D

Over the last few weeks I have slowly been catching up on some of the horror flicks that have come out this year. Two movies in particular, Paranormal Activity and My Bloody Valentine 3D, have exceeded expectations at the box-office but for vastly different reasons. Today I will focus on the latter and leave Paranormal for another day.

James Cameron’s much anticipated film, Avatar, is suppose to be the picture that finally legitimize the 3D movie industry. Yet I would argue that My Bloody Valentine 3D is reason enough why the 3D revolution should end. Sitting just behind The Final Destination as the second highest grossing non-family oriented 3D movie to be released this year, My Bloody Valentine proudly displays everything that is wrong with both modern horror films and 3D movies in general.

Set in a small town mining community, Tom Hanninger (Jensen Ackles) and his girlfriend Sarah (Jamie King), along with pals Axel (Kerr Smith) and Irene (Betsy Rue), attend a Valentine’s Day party at the infamous Tunnel No. 5 section of the local mine. A few weeks prior to the party, Tunnel No. 5 was the site of a horrendous accident in which 6 miners were trapped underground for six days. As coincidence would have it, Tom's careless mistake while on the job is what actually led to the mine collapsing in the first place. When the miners are eventually found only one, Harry Warden (Richard John Walters), is still alive. It seems that, for reasons no one knows, Harry snapped while trapped underground and killed all of his co-workers. Through a series of nonsensical events Harry ends up in a coma and is hospitalized. Or so the town thinks.... Harry magically awakes in times for Valentine's Day and goes on a killing spree unlike anything the town has ever seen before. Flash forward 10 years, with Harry supposedly dead, and the body count start to pile up again. Has Harry Wardern comeback from the dead to finish what he started? Was he even dead to begin with? More importantly, can the killer be stopped before it is too late?

2009 has been the year of the 3D movie and, to be frank, the madness needs to stop. My Bloody Valentine only helps to prove that the 3D explosion is nothing more than a gimmicky cash cow for Hollywood. The whole movie is basically a series of set ups to provide the director, Patrick Lussier, opportunities to throw objects at the screen. There is nothing remotely authentic or interesting about the whole production.

My Bloody Valentine 3D even fails in comparison to the other horror remakes, such as Friday the 13th, released this year. At least Friday the 13thremake knew how to balance both the campiness and the gore of the slasher genre. When My Bloody Valentine is not focusing on the 3D silliness it seems to be rather lost as to what to do next. As a result, Lussier ups the gore to ridiculous and uninspiring levels every chance he gets. Also, to fill the nudity requirement, Lussier has Besty Rue walk around nude in a scene that was clearly designed with 13 year-old boys in mind. Yet even Rue's ample physic cannot distract us from how awful the movie is. The acting is horrible, and not in the so bad it is good way, and the plotting is pedestrian. Worst of all My Bloody Valentine does not have a single good scare in the entire picture. Maybe Avatar will ultimately change my mind about the whole 3D movie experience but, as it stands, I think Hollywood should finally put a nail in the 3D coffin.

Monday, November 23, 2009

Hunger Can Be Quite Filling

The Full List of Big Thoughts From A Small Mind's 2009 Reviews.

Hunger

There have been many predictions regarding who the Oscar nominees will be this year. Yet the one thing that is usually left out of these discussions is timing. In a year in where the Academy Awards have expanded the Best Picture category to allow ten films, one of the best films of 2009 is not even eligible to compete. Although Steve McQueen's stunning debut, Hunger, hit most theatres this year it actually was eligible for Oscar consideration last year. If Hunger had been able to compete this year I am sure more people would be singing its praises. Similar to The Hurt Locker, I think Hunger would have benefitted greatly from the new Oscar rules; and what seems to be a weaker competition pool in general this year.

Set in Belfast's infamous Maze prison in 1981, Hunger looks at the events leading up to IRA hunger strike led by Bobby Sands (Michael Fassbender). The interesting thing about this tale is that Bobby Sands only really factors into the third act of the film. The first part focuses on a prison guard (Stuart Graham) whose work has scarred him emotionally beyond repair. In the second section we see what has caused the prison guard all the mental distress. McQueen shows us two inmates (Brian Milligan and Liam McMahon) who endure hell while participating in a IRA prisoners' protest wear they refuse to wear prison clothes and bathe. The IRA prisoners do not see themselves as criminals and want to get political prisoners' status from the British Government. The protest results in a volatile and violent standoff against the prison guards. The remainder of the film focuses on why Bobby Sands was willing to make the ultimate sacrifice for the cause.

Hunger is a bleak and unrelenting film that will probably drive many viewers mad with its unconventionality. Why should you see it then? Despite its harsh realistic moments, it is an immensely rewarding picture. Hunger is a brilliant piece of filmmaking that not only renews your faith in the future of cinema, but also challenges you ever step of the way. This film raises many questions and shows you both sides of the tale. Yet do not expect any simple answers, this is a film where the viewer must ultimately come up with their own conclusion and the choice is far from easy.

On one hand you must reflect on the war outside the prison before you can look at the one waging within it. Regardless of the events which led to the birth of the Irish Republic Army, the group, during was considered by many to be a terrorist organization. McQueen provides a glimpse of their ruthlessness in a chilling scene at a nursing home. On the other hand, does this justify the harsh treatment that the men had to endure in prison? Does Prime Minister Margaret Thatcher’s final decision actually mean that the men, though misguided in their methods, were actually fighting for a proper cause on the outside?

The events in Hunger exist completely in a grey area where actions, no matter how horrible, can be justified for and argued against by both sides equally. The only real commentary that McQueen will divulge is that the whole conflict impacted both sides on a deep emotional level. The fact that neither the government/guards nor the IRA prisoners wanted to back down only made the emotional wounds that much deeper.

Hunger may be Steve McQueen's first film but it is far more accomplished than some of the veteran directors working today. This is a film that will resonate with you for a long while. McQueen is able to get extraordinary performances from his cast. One of my favourite scenes in the whole movie is the twenty minute conversation between Sands and a priest (Liam Cunningham). There is so much going on in this scene, from both an acting and story standpoint, that it take multiple viewings for all the subtle elements to come fully into view. Michael Fassbender, who was also good in Quentin Tarantino's Inglourious Basterds, gives a phenomenal performance as Sands. We have seen many actors gain and lose weight for a role but few have given a performance so powerful that you actually forget you are watching an actor.

Hunger is a film that will make you angry, gross you out at times, and ultimately make you sad for all the parties involved. Yet it is a film that you must see for the sheer magnitude and brilliance of it all. Hunger is hands down one of the best films of the year.