Bridesmaids
It is amazing how fickle the business of film can be. Studios executives and Hollywood pundits are constantly talking about a film’s success in regards to dollar values. Yet they consistently are surprised when certain films, that they show little faith in, get big numbers at the box office. The funny thing is that many of these" surprise hits" are not surprises at all. Take Bridesmaids for example, it has been called the sleeper hit of the summer, but is it really that much of a “sleeper”? You would think Hollywood would learn from the success of the Sex in the City films, Titanic, Dear John, The Blindside, The Twilight franchise, and almost every single Tyler Perry film that women are big cinema goers. They always have been and, just like their male counterparts, they crave a good story with identifiable characters.
Written by, and starring, Kristen Wiig, Bridesmaids is a comedy that looks how life can alter friendships in the most unexpected ways. Annie (Wiig) and Lillian (Maya Rudolph) have been best friends since they were children. Annie’s life has been in a tail spin ever since her bakery business closed down. Working at a job she hates, and in a “friends with benefits” type of relationship with Ted (John Hamm), Lillian is the only uncomplicated thing in Annie’s life until she announces that she is engaged. Annie then finds herself in the Maid of Honor role responsible for planning the Bachelorette Party for Lillian and the rest of the bridesmaids. Lillian’s bridesmaids include Helen (Rose Bryne) who is the wife of Lillian’s fiancĂ©’s boss, Lillian’s future sister-in-law Megan (Melissa McCarthy), Lillian’s jaded cousin Rita (Wendi McLendon-Covey), and her naive friend Becca (Ellie Kemper). As the cost surrounding the wedding events continue to rise, Annie struggles to fulfill her Maid of Honor duties for fear of not only disappointing Lillian, but of being usurped by Helen who is itching to replace Annie as Lillian’s number one friend.
Bridesmaids is a film that delivers the laughs without sacrificing the story. Sure it may not be the laugh-a-minute film that the hype may have led some to believe but, when the jokes hit the mark, there is plenty to smile about. While Melissa McCarthy has been getting all the praise, and rightfully so, for her scene stealing work as Megan, I thought that John Hamm and Kristen Wiig were extremely good as well. As Ted, Hamm has some hilariously sleazy lines that had me howling with laughter. Kristen Wiig shows that she is capable of carrying a film. Not only does she hit all the right comedic notes but she manages to keep her character grounded in reality despite all the craziness that occurs in the film. It is not only a reflection of Wiig’s talent as an actress but her skilful writing as well.
Wiig’s script is not only well written and manages to capture the complexities of female friendship. Especially in regards to how situational female bonds can be. Annie and Lillian are friends who have built a bond since they were children yet, in many ways, Annie is replaced by Helen long before the insanity ensues. Lillian and Helen are only friends because their husbands roam in the same circles. She is drawn to Helen, the very type of person she used to despise. Annie is essentially pushed aside for a woman Lillian has only known for a few months.
My only real complaint with the film is that Megan, while funny, is given the worst outfits. I understand that Megan is rough around the edges but her character looks awful even by tomboy standards. You would think Hollywood would have evolved from the “she is fat, so she is sloppy” style of humour. It would have been better had McCarthy been given a reasonable fashion sense like the rest of the characters. Especially considering what her character reveals about herself in the last act. Also, another minor gripe is that, the arc between Rita and Becca is completely dropped once the airplane scene ends. In fact they are barely seen at all in the second half of the film.
Minor issues aside, I had a good time watching Bridesmaids. It did not have me crying with laughter like I had expected, but it was a very good film nonetheless. It is one of the few recent comedies that I foresee holding up well upon repeat viewings.
Showing posts with label John Hamm. Show all posts
Showing posts with label John Hamm. Show all posts
Friday, July 15, 2011
Wednesday, December 15, 2010
The Town is Like Any Other Town
The Town
Can anyone name a member of the National Board of Review? Who are they? And why do so many film lovers, myself included, go into hysterics once they release their annual best of the year list? Despite not knowing who actually comprises the NBR, their annual best of list marks the official start of the three month long award season. Though I normally agree with their selections, there have been times when the NBR has unjustly raised my hopes for a film. Such was the case with the cops and robbers caper, The Town. As The Town made NBR’s top ten list this year, I was expecting the film to have something truly magical. That special moment which made The Town standout above the other 250 films that the NBR screened this year. Instead, The Town ended up being a standard crime film with a few well shot action sequences.
Set in the Charlestown section of Boston, notoriously known for the high percentage of criminals it produces, The Town follows a group of friends as they try to elude the FBI while going after one final score. Ring leader Doug MacRay (Ben Affleck) is starting to tire of the criminal lifestyle. Although good at what he does, he knows that if he stays in Charlestown he will end up behind bars like his father, Stephen (Chris Cooper). Doug envisions a better life for himself after meeting Claire (Rebecca Hall), who happens to be the manager of a bank MacRay’s team has robbed. While Doug longs for a life outside of Charlestown, his best friend James (Jeremy Renner) wants the team to continue their streak of bank robberies. With FBI Agent Frawley (John Hamm) closing in on the gang, Doug must decide where is loyalties truly lie.
The Town is a decent, if not predictable, crime movie. What makes the film work for the most part are the performances from the cast. Not to mention the skilled direction of Ben Affleck. Affleck proved with his directorial debut, and vastly superior film, Gone Baby Gone, that he knows how to get strong performances out of his cast. I especially enjoyed the work of Pete Postlethwaite and Chris Cooper in their very brief cameos. I also like how Affleck orchestrates his action sequences. The heist scenes, particularly the one that evolves into a brilliant car chase scene with the gang evading the cops in a minivan. These are easily the most tenses moments in the entire film.
So why did this film not “wow” me the way it did the NBR? I just could not get past its predictability. Not to mention that The Town has too many loose ends which are never fully realized. The two most interesting aspects of the story are Doug’s relationship with his father, and the father’s past with Fergus (Postlethwaite). Unfortunately we only get a small snippet of the father/son arc. The audience must rely on Fergus to shed further light into Stephen’s defeated state. Yet Fergus is introduced far too late in the picture. The Town spends so much time building up both the love story and the Doug/Agent Frawley angle that the sudden appearance of Fergus towards the end seems rather out of place. Either introduce Fergus sooner, and cut down on the pointless Krista (Blake Lively) plotline, or leave both him and Stephan out of the picture completely.
As heist films go, The Town is enjoyable as it often feels like a lighter version of Michael Mann’s Heat. The film works best if you temper your expectations. If you go in expecting anything more you will be greatly disappointed. Many are calling The Town one of the year’s best films, but it is ultimately nothing more than a competent crime film that may keep you entertained for a few hours.
Can anyone name a member of the National Board of Review? Who are they? And why do so many film lovers, myself included, go into hysterics once they release their annual best of the year list? Despite not knowing who actually comprises the NBR, their annual best of list marks the official start of the three month long award season. Though I normally agree with their selections, there have been times when the NBR has unjustly raised my hopes for a film. Such was the case with the cops and robbers caper, The Town. As The Town made NBR’s top ten list this year, I was expecting the film to have something truly magical. That special moment which made The Town standout above the other 250 films that the NBR screened this year. Instead, The Town ended up being a standard crime film with a few well shot action sequences.
Set in the Charlestown section of Boston, notoriously known for the high percentage of criminals it produces, The Town follows a group of friends as they try to elude the FBI while going after one final score. Ring leader Doug MacRay (Ben Affleck) is starting to tire of the criminal lifestyle. Although good at what he does, he knows that if he stays in Charlestown he will end up behind bars like his father, Stephen (Chris Cooper). Doug envisions a better life for himself after meeting Claire (Rebecca Hall), who happens to be the manager of a bank MacRay’s team has robbed. While Doug longs for a life outside of Charlestown, his best friend James (Jeremy Renner) wants the team to continue their streak of bank robberies. With FBI Agent Frawley (John Hamm) closing in on the gang, Doug must decide where is loyalties truly lie.
The Town is a decent, if not predictable, crime movie. What makes the film work for the most part are the performances from the cast. Not to mention the skilled direction of Ben Affleck. Affleck proved with his directorial debut, and vastly superior film, Gone Baby Gone, that he knows how to get strong performances out of his cast. I especially enjoyed the work of Pete Postlethwaite and Chris Cooper in their very brief cameos. I also like how Affleck orchestrates his action sequences. The heist scenes, particularly the one that evolves into a brilliant car chase scene with the gang evading the cops in a minivan. These are easily the most tenses moments in the entire film.
So why did this film not “wow” me the way it did the NBR? I just could not get past its predictability. Not to mention that The Town has too many loose ends which are never fully realized. The two most interesting aspects of the story are Doug’s relationship with his father, and the father’s past with Fergus (Postlethwaite). Unfortunately we only get a small snippet of the father/son arc. The audience must rely on Fergus to shed further light into Stephen’s defeated state. Yet Fergus is introduced far too late in the picture. The Town spends so much time building up both the love story and the Doug/Agent Frawley angle that the sudden appearance of Fergus towards the end seems rather out of place. Either introduce Fergus sooner, and cut down on the pointless Krista (Blake Lively) plotline, or leave both him and Stephan out of the picture completely.
As heist films go, The Town is enjoyable as it often feels like a lighter version of Michael Mann’s Heat. The film works best if you temper your expectations. If you go in expecting anything more you will be greatly disappointed. Many are calling The Town one of the year’s best films, but it is ultimately nothing more than a competent crime film that may keep you entertained for a few hours.
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